You can do stuff with combos of card and location that lead to weird outcomes. I like the surprisingly wildness of this game, I think. I know the point is coming where I'll be completely overwhelmed by players who understand the meta and have built better decks, but so far I'm still having fun. Still, this is a thrill ride I don’t want to get off.Īrgh, so sorry - still playing Marvel Snap. But it’s also conservative, offering no revolutionary gameplay. It’s a powerhouse release that runs beautifully on the new console, and a feelgood blockbuster for everyone - especially with its accessibility options. Ragnarök is a typical Sony first-party game. That choice might be cinematic, but a cut wouldn’t go amiss. Unless the level design is circular, you know each dead end means turning back and retracing steps. But it’s also due to that continuous single shot. In part it’s because so much is crammed into the game - plenty to immerse yourself in, but some slower moments that drag on. The biggest criticism of the game has been its pacing, and I have to agree there are issues there. Each new beat offers a feast for the eyes. The art direction is truly exceptional, offering a fresh take on Norse mythology when so many games mine it for inspiration. Every brutish smash of Kratos’ axe has heft, but even he is rendered tiny compared to the grandest mythical beasts in the nine realms. The breadth of the game and its sense of gargantuan scale is impressive, but so too are the smaller mythological details stuffed away in the codex.
There are flashy setpieces, there are quiet moments of character, and it’s all seamlessly held together with a family soap opera drama wrapped up in Norse mythology. When so many games go open world and smother their maps with icons to hoover up, God of War: Ragnarök instead offers a tightly choreographed thrill ride. It’s refreshing to be playing a linear game again. Watch on YouTube Team video tackles Kratos' latest.
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